Brian L. Ott and Robert L. Mack suggest that the
media has rules within it that are designed to disseminate the plethora of
viewpoints expressing voices within society, which are seen in the light of
allowing expression to materialize in the corners of all culture (84). The
authors acknowledge that those with a higher stance within society, which they
equate with the amount of money in their possession, have a simply easy time in
utilizing the media for a variety of purposes, an illustration of expression
that does not characterize the less advantageous (Ott and Mack 84). Therefore,
these stipulations pronounced by media industries are endowed with the ambition
that those who are not exceedingly wealthy can utilize aspects of media, such
as television, to express their beliefs and thoughts (Ott and Mack 84).
Providing an example, among others, Ott and Mack illustrated the equal time
rule, which postulates a schematic for the handling of commercials conjured by
politicians attempting a victory and position in office in the midst of
elections (85). Though the authors suggest a number of directives under the
rule’s umbrella, the one I will provide focus to is the idea that should a
political actor be granted, for any reason, a duration of time where they are
documented by a media outlet without the giving of money, a similar accommodation
must also be forwarded to rivals or opponents (85).
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The Terminator (Widescreen) (1984) Source: Best Buy.ca |
Arnold Schwarzenegger,
having undertaken roles in action movies such as The Terminator and The
Running Man, came to manifest his life with the conception of politics in
2003, a move which provided a somewhat comical necessitation from television
networks: to disassociate their broadcasting choices with any semblance to an advertisement
with no cash exchange involved, they ceased any showing of the library of motion
pictures affiliated with Schwarzenegger (85). Thus, there could be no
accusation of fraudulent advertising, while also no proclamation of an
analogous mode of conduct for his competitors (85). I think this is an
interesting tactic, and one that illustrates the determination of media
industries to secure an arena of equality. Though I do not know if viewing a
film documenting a performance of the actor would necessitate giving a vote in
his direction, it is a calming and virtuous sight to witness a media industry
utilizing any tool they contain in their palm for the goal of sharing
opportunity.
Works CitedOtt, Brian L., and Robert L. Mack. "Pragmatic Analysis." Critical Media Studies: an Introduction.
Malden: Wiley-Blackwell, 2010. 72-97. Print.
The Terminator (Widescreen) (1984). Best Buy.ca Web. 29 Sept. 2013
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